Selected Bibliography


"Machines and Robots". Foreword by Dominik Landwehr. Texts by Martina Kammermann, Andreas Broeckmann, Roland Fischer, Mads Pankow, Bruno Spoerri, Philipp Theisohn, Roland Wetzel, and Raffaello D'Andrea. Edition Digital Culture, Migros-Kulturprozent, Christoph Merian Verlag, Switzerland, 2018, p 134, 182.


“Mundos Alternos: Art and Science Fiction in the Americas”. Foreword by Sheila Bergman. Introduction by Robb Hernández, Tyler Stallings. Text by Kency Cornejo, Robb Hernández, Joanna Szupinska-Myers, Itala Schmelz, Alfredo Suppia, Sherryl Vint. Exhibition catalog, UCR Artsblock, Riverside, California, 2017.


Chico MacMurtrie/ARW: “Pneuma World”, exhibition catalog, Muffatwerk, Munich.
Robots and Art – Exploring an Unlikely Symbiosis”; Series Title: Cognitive Science and   Technology; Damith Herath, Christian Kroos and Stelarc Springer Editions.


“Art Robotique”. Cite Des Sciences et de L’industrie, Paris. Sylvie Parent. “Eveil/Alive”, SESC SP, Sao Paulo.
“ThingWorld”. International New Media Triennial, NAMOC, Beijing.


“Reactivation”. 9th Shanghai Biennial. Power Station of Art. Shanghai. 
Transformer, Theo Jansen, Chico MacMurtrie, Naywa Denki, (The User), curated by Richard Castelli, Le 360, Bethune, France, 2012, p 32-41.


L’acteur et l’intermédialité, Izabella Pluta, L’Age de l’homme, Lausanne, Switzerland, 2011, p XVII.


eArts Beyond, curated by Zhan Ga, TV Tower, Shanghai, 2009 p 65-76.
Petit Mal, curated by Alejandra Labastida, MUAC Museo Universitario Arte Contemporaneo, Mexico City, 2009.


Di’an, Fan and Ga, Zhang, ed. “Synthetic Times: Media Art China.” MIT Press and National Art Museum of China. Algora, Montxo. ‘’Maquinas y Almas / Machines and Souls’’. Museo de la Reina Sofia. Madrid.


Dixon, Steve ; Smith, Barry. Digital performance : a history of new media in theatre, dance, performance art, and installation. Cambridge : MIT Press. 
“Feedback”, exhibition catalog, Fundacion Laboral, p 204-207


Robots, curated by Richard Castelli, Lille2004 Capitale européenne de la culture, Lille, France,  2004, p 10-17, 92-95.